﻿<?xml version="1.0" encoding="utf-8"?><rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><ttl>60</ttl><title>Voiceovers | Charlotte Voiceover Talent | Voiceover | Radio Imaging | Audio Editing</title><link>http://blog.thevoiceofbrian.com</link><lastBuildDate>Thu, 24 May 2012 23:08:43 GMT</lastBuildDate><pubDate>Thu, 24 May 2012 23:08:43 GMT</pubDate><language>en</language><copyright /><itunes:subtitle> </itunes:subtitle><itunes:author /><itunes:summary /><description /><itunes:owner><itunes:name /><itunes:email>Brian@TheVoiceofBrian.com</itunes:email></itunes:owner><itunes:explicit>no</itunes:explicit><itunes:category text="Arts" /><item><title>Voice-Over Training</title><link>http://blog.thevoiceofbrian.com/2012/04/18/voice-over-training.aspx?ref=rss</link><dc:creator>Brian Haymond</dc:creator><description>Ahhhhh, more like "Voice-Over Boot Camp" THIS WEEKEND in Los Angeles with &lt;a href="http://www.voiceoverchocolate.com/" target="" class=""&gt;Julie Williams&lt;/a&gt;, &lt;a href="http://vanessahart.info/" target="" class=""&gt;Vanessa Hart&lt;/a&gt; and &lt;a href="http://www.cashmancommercials.com/" target="" class=""&gt;Marc Cashman&lt;/a&gt;. &amp;nbsp;If you have been in voiceover for any length of time, you know the names of all the "Three VoiceKeteers".&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.voice-overs.com/Three_VoiceKeteers.html" target="" class=""&gt;SIGN UP for Voiceover Training NOW!&lt;/a&gt;&lt;/div&gt;</description><comments>http://blog.thevoiceofbrian.com/2012/04/18/voice-over-training.aspx#Comments</comments><guid isPermaLink="false">e40f4156-440a-4ee0-9ac7-dd8ee8b9ef11</guid><pubDate>Wed, 18 Apr 2012 20:32:08 GMT</pubDate></item><item><title>Voiceover and Punctuation</title><link>http://blog.thevoiceofbrian.com/2012/01/09/voiceover-and-punctuation.aspx?ref=rss</link><dc:creator>Brian Haymond</dc:creator><description>Voiceover talent always enjoy a well written script. &amp;nbsp;&lt;a href="http://www.edgestudio.com/archive/handling-punctuation-voice-over-pro" target="" class=""&gt;Edge Studio&lt;/a&gt; knows that sometimes the copy voiceover actors receive may not always be written by professionals, for understandable reasons. Regardless of how the copy is written, there are things we as voiceover professionals can do to iron out any wrinkles and provide our clients with the best possible final product.&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;Take a moment to read: "&lt;a href="http://www.edgestudio.com/archive/handling-punctuation-voice-over-pro" target="" class=""&gt;Handling Punctuation Like a VO Pro&lt;/a&gt;"&lt;/div&gt;</description><comments>http://blog.thevoiceofbrian.com/2012/01/09/voiceover-and-punctuation.aspx#Comments</comments><guid isPermaLink="false">602fb27d-2237-42a3-a984-507b567caf7f</guid><pubDate>Mon, 09 Jan 2012 18:05:42 GMT</pubDate></item><item><title>VOICEOVER TRENDS in 2012</title><link>http://blog.thevoiceofbrian.com/2012/01/05/voiceover-trends-in-2013.aspx?ref=rss</link><dc:creator>Brian Haymond</dc:creator><description>Like many of you, I use &lt;a href="http://www.google.com/reader" target="" class=""&gt;Google Reader&lt;/a&gt; to keep track of blogs that I keep tabs on. &amp;nbsp;One of those helpful resources I look to often is &lt;a href="http://www.courvo.biz/" target="" class=""&gt;Dave Courvoisier's Voice Over Blog&lt;/a&gt;. &amp;nbsp;I saw "12 Trends: MUST READ!" listed and headed over to read. &amp;nbsp;Good information for anyone in the voiceover business - from beginner to professional. &amp;nbsp;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;Thanks for posting the link, Dave. &amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;By the way, if you are new to the business, there is another helpful resource to view each day and that's &lt;a href="http://blogs.voices.com/voxdaily/" target="" class=""&gt;Vox Daily&lt;/a&gt;, from Voices.com - they put together the information Dave links to!&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.courvo.biz/2012/01/12-trends-must-read.html" target="" class=""&gt;VOICEOVER TRENDS 2012&lt;/a&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;</description><comments>http://blog.thevoiceofbrian.com/2012/01/05/voiceover-trends-in-2013.aspx#Comments</comments><guid isPermaLink="false">77c37e51-0a97-41d6-bf35-5da9c1dcb2d3</guid><pubDate>Thu, 05 Jan 2012 14:44:37 GMT</pubDate></item><item><title>Microphone Shootout</title><link>http://blog.thevoiceofbrian.com/2011/12/27/microphone-shootout.aspx?ref=rss</link><dc:creator>Brian Haymond</dc:creator><description>Well known voiceover pro, Bob Souer, has another helpful post on his blog - this time he points us to a microphone shootout.....and affordable microphones at that.&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;For this article and continued quality posts, visit Bob's blog using the link below:&lt;br&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://bobsouer.com/blog/2011/12/23/microphones-under-200/?utm_source=feedburner&amp;amp;utm_medium=feed&amp;amp;utm_campaign=Feed%3A+TheVoiceoverBoblog+%28The+Voiceover+Boblog%29" target="" class=""&gt;MICROPHONE SHOOTOUT on BOB SOUER's BLOG&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;</description><comments>http://blog.thevoiceofbrian.com/2011/12/27/microphone-shootout.aspx#Comments</comments><guid isPermaLink="false">093a0ca9-4745-4fef-b4fa-192ca6adc1d4</guid><pubDate>Tue, 27 Dec 2011 19:12:43 GMT</pubDate></item><item><title>Who Does The Voice At The Airport?</title><link>http://blog.thevoiceofbrian.com/2011/12/01/who-does-the-voice-at-the-airport.aspx?ref=rss</link><dc:creator>Brian Haymond</dc:creator><description>&lt;a href="http://www.cbsnews.com/" target="" class=""&gt;CBS NEWS&lt;/a&gt; recently ran a story that featured a voice you have no doubt heard - no not mine, but that voice at the airport.&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.tvkim.com/watch/1545/kims-picks-the-voice-at-200-airports?utm_medium=nl&amp;amp;utm_source=csotd&amp;amp;utm_content=2011-11-25-fifl&amp;amp;utm_campaign=s" target="" class=""&gt;The Voice At The Airport&lt;/a&gt;&lt;br&gt;&lt;/div&gt;</description><comments>http://blog.thevoiceofbrian.com/2011/12/01/who-does-the-voice-at-the-airport.aspx#Comments</comments><guid isPermaLink="false">16127753-ad59-49eb-9d5e-1dbc6a2c1046</guid><pubDate>Thu, 01 Dec 2011 17:12:55 GMT</pubDate></item><item><title>UFC on FOX Airs Marines Promo</title><link>http://blog.thevoiceofbrian.com/2011/11/13/ufc-on-fox-airs-marines-promo.aspx?ref=rss</link><dc:creator>Brian Haymond</dc:creator><description>This is a promo I voiced last week for the &lt;a href="http://www.marines.com/?WT.srch=1&amp;amp;WT.mc_id=GSLE_MARINES_MAIN#default"&gt;Marines&lt;/a&gt;. &amp;nbsp;It aired during the event, "UFC on FOX". &amp;nbsp;In voiceover, we often do work that we don't get to hear on the air, whether that be radio or TV. &amp;nbsp;When we do have the opportunity, it's a great learning process for the voice actor. &amp;nbsp;We can hear how the final mix sounds to the ears of general public – far removed from our studio. &amp;nbsp;In my case, our TV's have surround systems and since I have a subwoofer in my studio, I was pleased that the translation from what I heard in my studio was very close to what I heard on the air....that is always a confidence builder....especially when it comes to me producing a spot for radio, web etc.
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&lt;div&gt;Below is what aired Nov. 12th during "&lt;a href="http://msn.foxsports.com/boxing/story/UFC-on-FOX-main-event-111211"&gt;UFC on FOX&lt;/a&gt;"&lt;/div&gt;
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&lt;iframe width="512" height="315" src="http://www.youtube.com/embed/x-R-fTGWKvw" frameborder="0"&gt;&lt;/iframe&gt;</description><comments>http://blog.thevoiceofbrian.com/2011/11/13/ufc-on-fox-airs-marines-promo.aspx#Comments</comments><guid isPermaLink="false">2bf2a0fb-1b77-43ad-b7ba-f42583be7152</guid><pubDate>Sun, 13 Nov 2011 17:38:36 GMT</pubDate></item><item><title>Pro Tools Tips For Mac</title><link>http://blog.thevoiceofbrian.com/2011/10/03/pro-tools-tips-for-mac.aspx?ref=rss</link><dc:creator>Brian Haymond</dc:creator><description>Over the years, I've found keyboard shortcuts, tips and production "must knows" that have really accelerated my workflow. &amp;nbsp;Below is a culmination of things I have either discovered on my own, learned from others or found on web videos etc. &amp;nbsp;These are all from a Mac perspective, but I believe that on a PC the ALT key is equivalent to the Mac's Option key...so perhaps this will be beneficial to PC folks as well.&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;These are in random order as I learned them...I simply kept a "draft" email going and added as I learned. &amp;nbsp;So, forgive any typos grammar issues. &amp;nbsp;While there are certain to be other ways of doing some of these, this will prove helpful for some.&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;I'm currently running Pro Tools 8 on a Mac Pro w/Snow Leopard&lt;br&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;div style="font-family: Optima; "&gt;&lt;b&gt;&lt;u&gt;DUCKING MUSIC FOR VO:&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;&lt;u&gt;&lt;b&gt;&lt;br&gt;&lt;/b&gt;&lt;/u&gt;&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;On VO Track, assign BUS 1 to the track (a single fader will appear...you'll need that to control ducking level)&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;On Music Bed, Insert Compressor/Limiter Dyn3&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;Near upper left of Comp/Limiter, click on the little KEY and choose Bus1 (what this is doing is saying that Bus1 from VO track is going to tell the Comp/Limiter when to kick in...it's being controlled by the VO). &amp;nbsp;&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;Now go over to the right of the Comp/Limiter and you'll see Side-Chain, click the little Key to turn it on&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;Finally, locate the single fader that popped up when you created the Bus on the VO track. &amp;nbsp;Use the fader to set the ducking level to your liking!&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;&lt;b&gt;&lt;br&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;&lt;b&gt;&lt;u&gt;DARTHY VADERISHY For Fun:&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;&lt;b&gt;&lt;u&gt;&lt;br&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;Drop down -2 Semitones using the Pitch-Shift plugin, then add D-Verb "Large Plate" at 25% (or to taste), Then under the Modulation plugins, choose Chorus and then StereoDeepChorus&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;&lt;b&gt;&lt;br&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;&lt;b&gt;&lt;u&gt;SHORTCUTS MAC&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;&lt;b&gt;&lt;u&gt;&lt;br&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;&lt;b&gt;WANT TO RESET WAVEFORM HEIGHT TO DEFAULT:&lt;/b&gt;: Control + Option + Command + [&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;&lt;br&gt;&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;&lt;b&gt;OPTION/ALT KEY:&lt;/b&gt;&amp;nbsp;This basically an ALL kind of key, so for example, if I click MUTE while holding down the OPTION key, it will mute ALL the tracks!&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;&lt;br&gt;&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;&lt;b&gt;COMMAND KEY:&lt;/b&gt;&amp;nbsp; If you hold down this key while adjusting any values/levels etc, it will do it slowly so you can FINE TUNE a bit better&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;&lt;br&gt;&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;&lt;b&gt;"PUNCH IN" RECORD:&amp;nbsp;&lt;/b&gt;If you want to re-record a portion of audio but would like to hear the stuff that comes before so you can get the flow. &amp;nbsp;Highlight the area you want to record in (give some extra room at the end just in case you go long) and then using the OPTION key click where you want Playback to start and where you want it to end. &amp;nbsp;Little YELLOW FLAGS will show up at the top of the window. &amp;nbsp;Now, just make sure you are in QUICK PUNCH mode and track is set to record...off you go&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;&lt;br&gt;&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;&lt;b&gt;JUMP TO BEGINNING OR END OF A REGION:&amp;nbsp;&lt;/b&gt;With Tab to Transients OFF, simply use your TAB key. &amp;nbsp;If you want to SELECT/Highlight the region while jumping, just hold down SHIFT while hitting TAB key&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;&lt;br&gt;&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;&lt;b&gt;WANT TO SELECT A REGION WHILE IN PLAYBACK:&amp;nbsp;&lt;/b&gt;Use the DOWN &amp;amp; UP ARROWS. Click the DOWN ARROW for the start and UP ARROW for the end. &amp;nbsp;When you stop the PLAYBACK, you will now have a highlighted region!&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;&lt;b&gt;&lt;br&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;&lt;b&gt;WANT TO EXTEND A REGION SO IT BUMPS UP (BUT DOESN'T GO PAST) THE NEXT REGION:&amp;nbsp;&lt;/b&gt;Hold down the CONTROL key while extending and it won't go past the next region...butt's right up!&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;&lt;br&gt;&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;&lt;b&gt;WANT TO MOVE ONE REGION IN LINE WITH ONE ON A DIFFERENT TRACK:&amp;nbsp;&lt;/b&gt;Highlight the region that you want the other one to line up with. &amp;nbsp;Now, hold down the CONTROL key while clicking on the region you want to move and it will snap in place!&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;&lt;br&gt;&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;&lt;b&gt;WANT TO DUPLICATE A REGION AND HAVE IT SNAP TO WHERE THE CURSOR (PLAYHEAD) IS:&amp;nbsp;&lt;/b&gt;Click to place the PLAYHEAD where you want the duplicated region to go, then hold down CONTROL-OPTION and click the region you want duplicated. &amp;nbsp;It will copy and snap to the PLAYHEAD! &amp;nbsp;&lt;b&gt;NOTE:&amp;nbsp;&lt;/b&gt;CONTROL-COMMAND will put the END of the region at the PLAYHEAD.&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;&lt;br&gt;&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;&lt;b&gt;WANT TO TOGGLE BETWEEN WAVEFORM VIEW &amp;amp; AUDIO LEVEL VIEW:&amp;nbsp;&lt;/b&gt;Make sure the little a/z button is turned on in the near top right of the window or you can find it in the bar above the wave form window. &amp;nbsp;Now whatever track you are on, simply hit the MINUS KEY on the Qwerty Keyboard (NOT the minus key on the numeric portion of the keyboard)&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;&lt;br&gt;&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;&lt;b&gt;WANT TO SEE YOUR ENTIRE SESSION ON THE SCREEN:&amp;nbsp;&lt;/b&gt;Click OPTION-A&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;&lt;br&gt;&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;&lt;b&gt;WANT TO SET YOUR FADER TO ZERO QUICKLY:&amp;nbsp;&lt;/b&gt;Hold down OPTION key and click the fader&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;&lt;br&gt;&lt;/div&gt;&lt;div style="font-family: Optima; "&gt;&lt;b&gt;WANT TO MAKE THE TRACK OR MULTIPLE TRACKS BIGGER REALLY FAST:&amp;nbsp;&lt;/b&gt;Click on the track or slightly highlight multiple tracks and then holding down the CONTROL key, use the UP/DOWN ARROWS&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description><comments>http://blog.thevoiceofbrian.com/2011/10/03/pro-tools-tips-for-mac.aspx#Comments</comments><guid isPermaLink="false">03578811-0056-45b6-b4f2-ee197989e124</guid><pubDate>Mon, 03 Oct 2011 18:15:31 GMT</pubDate></item><item><title>The Edge Factor Show: "GNARLY METAL"</title><link>http://blog.thevoiceofbrian.com/2011/09/22/the-edge-factor-show-gnarly-metal.aspx?ref=rss</link><dc:creator>Brian Haymond</dc:creator><description>The latest episode of the incredibly shot, edited and produced show The Edge Factor is now online.
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&lt;object width='500' height='281'&gt;&lt;param name='allowFullScreen' value='true' /&gt;&lt;param name='AllowScriptAccess' value='always' /&gt;&lt;param name='movie' value='http://www.pinkbike.com/v/217729' /&gt;&lt;embed src='http://www.pinkbike.com/v/217729' type='application/x-shockwave-flash' width='500' height='281' allowFullScreen='true' AllowScriptAccess='always' /&gt;&lt;/embed&gt;&lt;/object&gt;</description><comments>http://blog.thevoiceofbrian.com/2011/09/22/the-edge-factor-show-gnarly-metal.aspx#Comments</comments><guid isPermaLink="false">8d284a33-e780-4354-a059-ecc06df3029e</guid><pubDate>Thu, 22 Sep 2011 16:04:59 GMT</pubDate></item><item><title>The Edge Factor Show</title><link>http://blog.thevoiceofbrian.com/2011/08/18/the-edge-factor-show.aspx?ref=rss</link><dc:creator>Brian Haymond</dc:creator><description>The Voice of Brian is the narrator for the surging program &lt;a href="http://www.edgefactor.com/" target="" class=""&gt;The Edge Factor Show&lt;/a&gt; - and this show has really created a huge buzz in the manufacturing world! &amp;nbsp;A big thanks to Francois Driessen and Jeremy Bout. &amp;nbsp;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;Here's their latest Tease!
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&lt;object width="500" height="281"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="AllowScriptAccess" value="always"&gt;&lt;param name="movie" value="http://www.pinkbike.com/v/208618"&gt;&lt;embed src="http://www.pinkbike.com/v/208618" type="application/x-shockwave-flash" width="500" height="281" allowfullscreen="true" allowscriptaccess="always"&gt;&lt;/object&gt;&lt;/div&gt;</description><comments>http://blog.thevoiceofbrian.com/2011/08/18/the-edge-factor-show.aspx#Comments</comments><guid isPermaLink="false">234154a7-e6fe-4b29-8784-ec5b12ff5798</guid><pubDate>Thu, 18 Aug 2011 15:26:51 GMT</pubDate></item><item><title>Olivia</title><link>http://blog.thevoiceofbrian.com/2011/08/17/olivia.aspx?ref=rss</link><dc:creator>Brian Haymond</dc:creator><description>It was 1997 and my wife and I were about to have our first of two children. &amp;nbsp;We didn't want to know whether a girl or boy would be our joy, but decided we did want to work on names. &amp;nbsp;I knew for sure if we had a girl, Olivia would be her name. &amp;nbsp;I always liked that name for a couple of reason....sappy as they may be. &amp;nbsp;First, I was a huge fan of the Waltons growing up and Olivia Walton was such an awesome TV mom. &amp;nbsp;Secondly, the beauty and sweet voice of singer Olivia Newton-John had kept the name Olivia in my head. &amp;nbsp;That said, we believe names are important and have meaning and so I actually prayed about the name Olivia and a Bible scripture came to mind...when I looked it up, it said "...and your children shall be like 'olive" plants in your home". &amp;nbsp;Well, back in the days this was written, that simple line would have meant really good things and when I saw the word "olive" and how close it was to the name Olivia, it was a done deal.&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Why all this sappy, non-voiceover stuff? &amp;nbsp;I'll tie it in here: &lt;/b&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;Well, I've been a subscriber to &lt;a href="http://www.voices.com/" target="" class=""&gt;Voices.com&lt;/a&gt;'s services for many years and they were a large part of helping get my full time voiceover business on solid footing back in those days and I still have the very large majority of those clients I first obtained through Voices.com.&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;This morning I saw a note posted by Voices.com Co-founder, Stephanie Ciccarelli, who says that she's been busy lately and enlisting the help of guest writers on the Vox Daily blog because.....you guessed it, she and her husband David welcomed their fourth child into the family – Olivia!&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;Stephanie is such a great asset to online voice talent and I'm very happy that the Ciccarelli family has added another Olivia to the world! &amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;CONGRATULATIONS David &amp;amp; Stephanie and a heartfelt "Welcome Olivia" to their newest addition.&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;Read what Steph has to say on &lt;a href="http://blogs.voices.com/voxdaily/2011/08/vox_daily_surprise.html" target="" class=""&gt;VoxDaily&lt;/a&gt;&lt;/div&gt;</description><comments>http://blog.thevoiceofbrian.com/2011/08/17/olivia.aspx#Comments</comments><guid isPermaLink="false">e3f0608c-f27d-4a89-be01-e26016ec7766</guid><pubDate>Wed, 17 Aug 2011 12:33:08 GMT</pubDate></item><item><title>Voiceover Training with Erik Sheppard</title><link>http://blog.thevoiceofbrian.com/2011/07/20/voiceover-training-with-erik-sheppard.aspx?ref=rss</link><dc:creator>Brian Haymond</dc:creator><description>Just got this email and wanted to pass it along...&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;font class="Apple-style-span" face="Verdana, Geneva, Arial, Helvetica, sans-serif" size="2"&gt;&lt;p style="margin-top: 0px; margin-bottom: 0px; font-family: Verdana, Geneva; "&gt;Beginning in August,&lt;b&gt;&amp;nbsp;&lt;a href="http://dev.voicetalentproductions.com/" target="" class=""&gt;Erik Sheppard&lt;/a&gt;&lt;/b&gt;&amp;nbsp;- seen here, the voice of thousands of voice overs, popular voice over coach, and the head talent agent at Voice Talent Productions - will offer&lt;b&gt;voice over training and support to a very limited number of voice talents&lt;/b&gt;&amp;nbsp;... conveniently on Saturday afternoons,&amp;nbsp;&lt;b&gt;by phone and private message boards&lt;/b&gt;. &amp;nbsp;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-bottom: 0px; "&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="font-family: Verdana, Geneva; color: black; font-style: normal; font-weight: normal; margin-top: 0pt; margin-bottom: 0px; font-size: 10pt; " align="left"&gt;This is your opportunity to work with the man who&amp;nbsp;&lt;b&gt;books national projects daily&lt;/b&gt;, represents some of the biggest names in the voice over industry, and has coached thousands of aspiring and established voiceover artists.&lt;font&gt;&amp;nbsp;&amp;nbsp;&lt;/font&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="font-family: Verdana, Geneva; color: black; font-style: normal; font-weight: normal; margin-top: 0pt; margin-bottom: 0px; font-size: 10pt; " align="left"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="font-family: Verdana, Geneva; color: black; font-style: normal; font-weight: normal; margin-top: 0pt; margin-bottom: 0px; font-size: 10pt; " align="left"&gt;After a 19-year career on both sides of the glass&amp;nbsp;&lt;b&gt;he knows what books&lt;/b&gt;.&lt;/p&gt;&lt;p style="font-family: Times-New-Roman; color: black; font-style: normal; font-weight: normal; margin-top: 0pt; margin-bottom: 0px; " align="left"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="font-family: Verdana, Geneva; color: black; font-style: normal; font-weight: normal; margin-top: 0pt; margin-bottom: 0px; font-size: 10pt; " align="left"&gt;This is not a one time class, this is an&amp;nbsp;&lt;b&gt;ongoing training and mentoring program&lt;/b&gt;&amp;nbsp;for a very select group of students who will receive daily support tailored to their particular needs.&amp;nbsp;&lt;font&gt;&amp;nbsp;&lt;/font&gt;This is a new and innovative approach that gives you&amp;nbsp;&lt;b&gt;access to career assistance on an unprecedented level&lt;/b&gt;&amp;nbsp;and all for just $100 per month.&lt;/p&gt;&lt;p style="font-family: Times-New-Roman; color: black; font-style: normal; font-weight: normal; margin-top: 0pt; margin-bottom: 0px; " align="left"&gt;&amp;nbsp;&lt;/p&gt;&lt;p style="font-family: Verdana, Geneva; color: black; font-style: normal; font-weight: normal; margin-top: 0pt; margin-bottom: 0px; font-size: 10pt; " align="left"&gt;Both the&amp;nbsp;&lt;b&gt;Beginner&lt;/b&gt;&amp;nbsp;and&amp;nbsp;&lt;b&gt;Advanced&lt;/b&gt;&amp;nbsp;groups are filling up fast, and students not in the first 10 to register w&lt;font style="font-size: 10pt; " face="Verdana, Geneva"&gt;ill placed on the waiting list.&lt;/font&gt;&lt;/p&gt;&lt;p style="font-family: Verdana, Geneva; color: black; font-style: normal; font-weight: normal; margin-top: 0pt; margin-bottom: 0px; font-size: 10pt; " align="left"&gt;&lt;br&gt;&lt;/p&gt;&lt;p style="font-family: Verdana, Geneva; color: black; font-style: normal; font-weight: normal; margin-top: 0pt; margin-bottom: 0px; font-size: 10pt; " align="left"&gt;&lt;br&gt;&lt;/p&gt;&lt;p style="font-family: Verdana, Geneva; color: black; font-style: normal; font-weight: normal; margin-top: 0pt; margin-bottom: 0px; font-size: 10pt; " align="left"&gt;&lt;a href="http://voicetalentproductions.com/Training.aspx" target="" class=""&gt;For more about this Voice-over training opportunity, click here!&lt;/a&gt;&lt;/p&gt;&lt;/font&gt;&lt;/div&gt;</description><comments>http://blog.thevoiceofbrian.com/2011/07/20/voiceover-training-with-erik-sheppard.aspx#Comments</comments><guid isPermaLink="false">28e6a819-58c1-4a67-89fe-1f1d8d09e87a</guid><pubDate>Wed, 20 Jul 2011 14:47:07 GMT</pubDate></item><item><title>Read Aloud Everyday</title><link>http://blog.thevoiceofbrian.com/2011/07/08/read-aloud-everyday.aspx?ref=rss</link><dc:creator>Brian Haymond</dc:creator><description>I'm a big believer in reading aloud every single day. &amp;nbsp;Sure, I read aloud about 6 days a week doing voiceover, but I still believe time needs to be set aside to read aloud as a training exercise – over and above the voiceover scripts that may come along each day.&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;To be quite honest, I've struggled with reading aloud since I was a kid and have only recently seen positive gains in this area. &amp;nbsp;YEP, after 20 years around the voiceover business, I have always had this issue. &amp;nbsp;I could read till I was blue in the face, but never really made any headway in my reading flow. &amp;nbsp;At one point, I thought of going to see a professional to find out if I have some kind of handicap in this area. (hello!!)&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;Of late, I've found there has been (oddly) a focusing issue. &amp;nbsp;So, I'm working on that as I continue to read aloud everyday.&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;Here's a GREAT article that&amp;nbsp;&lt;a href="http://www.voices.com/" target="" class=""&gt;Voices.com&lt;/a&gt;&amp;nbsp;posted on Vox Daily – The Official Voices.com Blog.&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://blogs.voices.com/voxdaily/2011/07/how_eyes_help_interpret_copy.html?utm_source=feedburner&amp;amp;utm_medium=feed&amp;amp;utm_campaign=Feed%3A+vox+%28Vox+Daily%29" target="" class=""&gt;How Your Eyes Help You Interpret A Script&lt;/a&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;Here's an idea....read the article aloud!!&lt;/div&gt;</description><comments>http://blog.thevoiceofbrian.com/2011/07/08/read-aloud-everyday.aspx#Comments</comments><guid isPermaLink="false">b6f3f96c-b153-4fe0-af9e-5a583da19773</guid><pubDate>Fri, 08 Jul 2011 14:57:19 GMT</pubDate></item><item><title>Royalty Free Music | Royalty Free SFX</title><link>http://blog.thevoiceofbrian.com/2011/06/28/royalty-free-music.aspx?ref=rss</link><dc:creator>Brian Haymond</dc:creator><description>When I need something for a project, whether it be in my studio or in my garage, I want the tools to do the job and I want them NOW! &amp;nbsp;Well, it's cost prohibitive&amp;nbsp;&lt;font class="Apple-style-span" style="outline-style: none; outline-width: initial; outline-color: initial; font-size: 8px; "&gt;(.99)&amp;nbsp;&lt;/font&gt;for me to purchase every tool for the garage, every audio plug-in, music bed and sound effect that I "might" need in the future. &amp;nbsp;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;However, &lt;font class="Apple-style-span" style="font-size: 8px; "&gt;(.99)&lt;/font&gt; when it comes to royalty free music and sound effects, I really don't have time to go hunting around. So, when I see deals come along, I often take time to review the item or items thoroughly and make the purchase accordingly.&amp;nbsp;&amp;nbsp;&lt;font class="Apple-style-span" style="outline-style: none; outline-width: initial; outline-color: initial; font-size: 8px; "&gt;(.99)&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;Today, &lt;font class="Apple-style-span" style="font-size: 8px; "&gt;(.99)&lt;/font&gt; I received a note from a company called JewelBeat and they offer royalty free music and sound effects for just about anything you can think of. &amp;nbsp;As per my norm, I ventured out to their site and was pleasantly surprised &lt;font class="Apple-style-span" style="font-size: 8px; "&gt;(.99)&lt;/font&gt; – not just at the price per download, but at the wide array of useable options.&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;From Blues, to Children, to Jazz, Hip Hop, Rock and World....these folks have much to choose from – and they only cost &lt;b&gt;.&lt;/b&gt;&lt;font class="Apple-style-span" style="font-size: 14px; "&gt;&lt;b&gt;99 cents. &amp;nbsp;&lt;/b&gt;&lt;/font&gt;I guess you noticed my little subliminal hints as you read to this point....I couldn't resist! &amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;As is my custom with this blog, I always enjoy pointing readers to things that will help them in their voiceover or audio production business and today, I want to draw your attention to&amp;nbsp;&lt;a href="http://www.jewelbeat.com/" target="" class=""&gt;JEWEL BEAT&lt;/a&gt;. &amp;nbsp;I plan on using them and I have no doubt believing you will find this a great resource as well.&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;Thanks to Sue at &lt;a href="http://www.jewelbeat.com/" target="" class=""&gt;JewelBeat.com&lt;/a&gt; for directing me to this royalty-free music and royalty-free sound effects site.&lt;/div&gt;</description><comments>http://blog.thevoiceofbrian.com/2011/06/28/royalty-free-music.aspx#Comments</comments><guid isPermaLink="false">94f9196b-b734-436d-aaa9-8b984f2c37ea</guid><pubDate>Tue, 28 Jun 2011 13:28:40 GMT</pubDate></item><item><title>RE20 Microphone for Sale</title><link>http://blog.thevoiceofbrian.com/2011/06/20/re20-microphone-for-sale.aspx?ref=rss</link><dc:creator>Brian Haymond</dc:creator><description>&lt;div&gt;I'm selling this &lt;b&gt;NEW EV RE20&lt;/b&gt;. &amp;nbsp;I purchased it 2 weeks&amp;nbsp;ago&amp;nbsp;off eBay brand new, &amp;nbsp;and after listening back to the audio I have recorded, I don't like how I sound and unless I get a boat load of radio imaging it simply will not meet the specific need I currently have. &amp;nbsp;I'm selling for what I paid...not looking to make any profit, so it's a good deal for someone!&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;I have the mic, XLR cable and the mic clip you see in the picture. &amp;nbsp;The case in this pic is an old case and I'll send that with it...don't have a new one.&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;Price is $335 plus $13 shipping - this is a firm price. &amp;nbsp;As you may know, retail is $429 at, for example Sweetwater.com.&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;Email my Gmail account, which is Briansvoice (@gmail) if you are interested.&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;img src="http://images.quickblogcast.com/5/3/2/0/6/170492-160235/RE20ForWeb.png?a=21" style="border: 0px solid;"&gt;</description><comments>http://blog.thevoiceofbrian.com/2011/06/20/re20-microphone-for-sale.aspx#Comments</comments><guid isPermaLink="false">a5c33c8e-f0c3-4b4f-9987-955a73c73b41</guid><pubDate>Mon, 20 Jun 2011 23:03:00 GMT</pubDate></item><item><title>Bob Souer Interview</title><link>http://blog.thevoiceofbrian.com/2011/06/17/bob-souer-interview.aspx?ref=rss</link><dc:creator>Brian Haymond</dc:creator><description>Longtime friend and storyteller, &lt;a href="http://bobsouer.com/" target="" class=""&gt;Bob Souer&lt;/a&gt;, has been interviewed by &lt;a href="http://www.stephancox.com/" target="" class=""&gt;Stephan Cox&lt;/a&gt; – it's a great look into Bob's life and you'll learn about an interesting "watershed moment" in his past.&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://bobsouer.com/blog/2011/06/17/another-interview-with-me-2/?utm_source=feedburner&amp;amp;utm_medium=feed&amp;amp;utm_campaign=Feed%3A+TheVoiceoverBoblog+%28The+Voiceover+Boblog%29" target="" class=""&gt;BOB SOUER INTERVIEW&lt;/a&gt;&lt;/div&gt;</description><comments>http://blog.thevoiceofbrian.com/2011/06/17/bob-souer-interview.aspx#Comments</comments><guid isPermaLink="false">3c3bfa06-ba6b-4177-8a04-e34cd83d1c2c</guid><pubDate>Fri, 17 Jun 2011 13:10:00 GMT</pubDate></item><item><title>Pro Tools Shortcuts on a Mac</title><link>http://blog.thevoiceofbrian.com/2011/06/14/pro-tools-shortcuts-on-a-mac.aspx?ref=rss</link><dc:creator>Brian Haymond</dc:creator><description>I'm big on keyboard shortcuts and I cringe when I see someone click through to get to something on their computer. &amp;nbsp;Well, when it comes to audio editing, in my case that means Pro Tools, I NEED shortcuts.&amp;nbsp;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;There are plenty of shortcuts available in Pro Tools. &amp;nbsp;But the question arose recently when I thought to myself:&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;WHAT IF I WANTED TO MAKE MY OWN SHORTCUTS!!?&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;br&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;For example there are half a dozen plug-ins that I use quite often, some I use multiple times a day. &amp;nbsp;On my Mac, I know that I can assign any plug-in I want to show up in a "shortened list" of sorts, when I click the "AudioSuite" menu. &amp;nbsp;So, instead of clicking AudioSuite &amp;gt; Other &amp;gt; Normalize. &amp;nbsp;I can have the Normalize plug show up at the top of the window when I click on AudioSuite, by simply holding down the COMMAND key and clicking on the plug-in...this will assign it to the short list. &amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;To do this:&lt;/div&gt;&lt;div&gt;Click AudioSuite &amp;gt; Other &amp;gt; then hold down Command and click the Normalize plug-in you want to show up in the list. &amp;nbsp;Now, when you click "AudioSuite" next time, it will be at the top of the list! &amp;nbsp;This saves a bit of time.&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;BUT I WANTED A "SHORTER" SHORTCUT!!&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;br&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;There is a site called "ProTools Dudes" and they have an easy tutorial on how to assign a HotKey so with just a keystroke, your desired plug-in will pop up. &amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;NOTE: On my Mac, I decided I wanted to create a "shorter" shortcut for Gain &amp;amp; Normalize. &amp;nbsp;Because some keys combinations are already used for things in ProTools, I did find that the following worked perfectly.&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Here's what I assigned:&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;GAIN:&lt;/b&gt; I hold down Control and the number 1 on the Alpha Numeric keyboard&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Normalize: &lt;/b&gt;I hold down Control and the number 2 on the Alpha Numeric keyboard&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://protools.dudesnetwork.com/2009/03/30/love-shortcuts-make-your-own/" target="" class=""&gt;PRO TOOLS DUDES shows you how to make your own shortcuts for Pro Tools&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;Learning and creating shortcuts in Pro Tools, or any DAW, is such a time saver and just makes sense....take time to make your workflow smoother!&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;</description><comments>http://blog.thevoiceofbrian.com/2011/06/14/pro-tools-shortcuts-on-a-mac.aspx#Comments</comments><guid isPermaLink="false">1620a7e9-bcc6-4558-a983-912feff445e4</guid><pubDate>Tue, 14 Jun 2011 22:25:00 GMT</pubDate></item><item><title>NEW EV RE-20 For Sale</title><link>http://blog.thevoiceofbrian.com/2011/06/06/new-ev-re-20-for-sale.aspx?ref=rss</link><dc:creator>Brian Haymond</dc:creator><description>I purchased a new RE20 off eBay (last week) and was very excited to hear what I sounded like on it. &amp;nbsp;Much to my dismay, this will not serve the particular purpose I had in mind. &amp;nbsp;I'm not doing a lot of radio imaging right now, so keeping it doesn't make sense at this point.&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;I paid $335 for the mic, brand new, and it comes with plastic case, XLR cable and the standard mount. &amp;nbsp;As you may know, these retail for $429 w/out the XLR cable.&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;All I want is what I paid for it....so, save yourself some cash and purchase this one!&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;PAYPAL ONLY, please and buyer pays shipping - US RESIDENTS ONLY&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;Email to: Briansvoice at gmail dot com and put RE20 in the subject line!&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;Brian&lt;/div&gt;</description><comments>http://blog.thevoiceofbrian.com/2011/06/06/new-ev-re-20-for-sale.aspx#Comments</comments><guid isPermaLink="false">23ef0c03-ee83-4958-a279-31322d73977a</guid><pubDate>Mon, 06 Jun 2011 23:29:00 GMT</pubDate></item><item><title>Voiceover Workshop</title><link>http://blog.thevoiceofbrian.com/2011/06/01/voiceover-workshop-2.aspx?ref=rss</link><dc:creator>Brian Haymond</dc:creator><description>&lt;div&gt;&lt;img src="http://images.quickblogcast.com/5/3/2/0/6/170492-160235/vowsmaudioconnellvoiceoverwo10percent.JPG?a=15" style="border: 0px solid;"&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;a href="http://audioconnell.com/" target="" class=""&gt;Peter K O'Connell&lt;/a&gt; sent out a communique today and the opening struck me for two reasons.&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;1. He signed off with "...enjoy the ride". &amp;nbsp;This is the same line I use in a large portion of radio imaging I do for a Charlotte station called, well, &lt;a href="http://957theride.com/home.asp" target="" class=""&gt;The Ride!&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;2. Peter says "Just some quick notes that I hope takes your mind off the crazy heat, rain or whatever sort of meteorological chicanery your part of the world is caught up within." &amp;nbsp;Well, my "part of the world" is in the middle of a tough heat wave – 97 degrees today, but heat index feels like 105!&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Why did Mr. O'Connell write?&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;p style="font-weight: normal; font-size: medium; display: inline !important; "&gt;&lt;font size="3"&gt;&lt;font color="#990000"&gt;&lt;font size="4" color="#000000"&gt;&lt;font size="2"&gt;&lt;br&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;p style="font-weight: normal; font-size: medium; display: inline !important; "&gt;&lt;font size="3"&gt;&lt;font color="#990000"&gt;&lt;font size="4" color="#000000"&gt;&lt;font size="2"&gt;The Saturday Morning Voice Over Workshop Sessions for June have only one date left (this&amp;nbsp;&lt;b&gt;Saturday June 4th&lt;/b&gt;). Call me if that date works for you (10:00 a.m. - 12:00 p.m ET).&amp;nbsp;&lt;font style="text-decoration: underline; "&gt;&lt;b&gt;July&lt;/b&gt;&lt;/font&gt;&lt;b&gt;&amp;nbsp;is wide open right now.&lt;/b&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;&lt;/b&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;p style="font-weight: normal; font-size: medium; "&gt;&lt;font size="3"&gt;&lt;font color="#990000"&gt;&lt;font size="4" color="#000000"&gt;&lt;font size="2"&gt;Sessions are via Skype or in person at the studio in Buffalo, NY. Over the past couple of months, folks have asked if they could book a non-Saturday date - it would have to be in the evenings between 8:00 p.m. - 10:00 p.m. eastern and only on a really limited basis. As always, please feel free to call me and discuss your needs.&amp;nbsp;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;&lt;p style="font-weight: normal; font-size: medium; "&gt;&lt;font class="Apple-style-span" style="font-size: small; "&gt;About the&amp;nbsp;&lt;a href="http://www.audioconnell.com/index.php?cid=21709&amp;amp;src=gendocs&amp;amp;ref=voiceovertraining&amp;amp;category=Main&amp;amp;curlid=97" target="" class=""&gt;VOICEOVER WORKSHOP&lt;/a&gt;&amp;nbsp;&amp;nbsp;or &lt;b&gt;CALL 716-572-1800 for your PRIVATE WORKSHOP&lt;/b&gt;&lt;/font&gt;&lt;/p&gt;&lt;p style="font-weight: normal; font-size: medium; "&gt;&lt;br&gt;&lt;/p&gt;&lt;/b&gt;&lt;/div&gt;</description><comments>http://blog.thevoiceofbrian.com/2011/06/01/voiceover-workshop-2.aspx#Comments</comments><guid isPermaLink="false">835de4c7-e771-4294-9795-a5ecd5b32881</guid><pubDate>Wed, 01 Jun 2011 14:27:00 GMT</pubDate></item><item><title>Lame Excuse for a Sale Sale?</title><link>http://blog.thevoiceofbrian.com/2011/05/27/lame-excuse-for-a-sale-sale.aspx?ref=rss</link><dc:creator>Brian Haymond</dc:creator><description>Well, I'm not the one who came up with the sale's name – blame it on&amp;nbsp;&lt;a href="http://harlanhogan.com/" target="" class=""&gt;Harlan Hogan&lt;/a&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;Here's what says:&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: 'Trebuchet MS'; color: rgb(66, 66, 66); "&gt;&lt;div style="margin-top: 0pt; margin-right: 0pt; margin-bottom: 0pt; margin-left: 0pt; padding-top: 0pt; padding-right: 0pt; padding-bottom: 0pt; padding-left: 0pt; "&gt;&lt;span style="font-size: 20px; "&gt;&lt;strong&gt;It's Voice Over Essentials' lame excuse for a sale sale!&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-top: 0pt; margin-right: 0pt; margin-bottom: 0pt; margin-left: 0pt; padding-top: 0pt; padding-right: 0pt; padding-bottom: 0pt; padding-left: 0pt; "&gt;&amp;nbsp;&lt;/div&gt;&lt;div style="margin-top: 0pt; margin-right: 0pt; margin-bottom: 0pt; margin-left: 0pt; padding-top: 0pt; padding-right: 0pt; padding-bottom: 0pt; padding-left: 0pt; text-align: center; "&gt;&lt;span style="font-size: 20px; "&gt;&lt;strong&gt;$25 Off Orders $100 to $199.99&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-top: 0pt; margin-right: 0pt; margin-bottom: 0pt; margin-left: 0pt; padding-top: 0pt; padding-right: 0pt; padding-bottom: 0pt; padding-left: 0pt; text-align: center; "&gt;&lt;span style="font-size: 20px; "&gt;&lt;strong&gt;$50 Off Orders $200 and Up&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-top: 0pt; margin-right: 0pt; margin-bottom: 0pt; margin-left: 0pt; padding-top: 0pt; padding-right: 0pt; padding-bottom: 0pt; padding-left: 0pt; text-align: center; "&gt;(Discounts not seen since Black Friday!)&lt;/div&gt;&lt;ul&gt;&lt;li style="margin-top: 0pt; margin-right: 0pt; margin-bottom: 0pt; margin-left: 0pt; padding-top: 0pt; padding-right: 0pt; padding-bottom: 0pt; padding-left: 0pt; "&gt;&lt;span style="font-size: 16px; "&gt;Signature Series Products on Homepage only&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-top: 0pt; margin-right: 0pt; margin-bottom: 0pt; margin-left: 0pt; padding-top: 0pt; padding-right: 0pt; padding-bottom: 0pt; padding-left: 0pt; "&gt;&lt;span style="font-size: 16px; "&gt;Does not include Porta-Sound Stand™ or shelves&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-top: 0pt; margin-right: 0pt; margin-bottom: 0pt; margin-left: 0pt; padding-top: 0pt; padding-right: 0pt; padding-bottom: 0pt; padding-left: 0pt; "&gt;&lt;span style="font-size: 16px; "&gt;In-stock products only - Sorry no rainchecks&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-top: 0pt; margin-right: 0pt; margin-bottom: 0pt; margin-left: 0pt; padding-top: 0pt; padding-right: 0pt; padding-bottom: 0pt; padding-left: 0pt; "&gt;&lt;span style="font-size: 16px; "&gt;Starts NOW! Thru Memorial Day Monday&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div&gt;&lt;font class="Apple-style-span" size="4"&gt;&lt;span class="Apple-style-span" style="font-size: 16px;"&gt;&lt;br&gt;&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class="Apple-style-span" size="4"&gt;&lt;span class="Apple-style-span" style="font-size: 16px;"&gt;&lt;a href="http://voiceoveressentials.com/" target="" class=""&gt;Voiceover Essentials LAME EXCUSE FOR A SALE SALE&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;/span&gt;&lt;/div&gt;</description><comments>http://blog.thevoiceofbrian.com/2011/05/27/lame-excuse-for-a-sale-sale.aspx#Comments</comments><guid isPermaLink="false">3f8871f7-2032-40c9-86ac-e7d15a4f8a87</guid><pubDate>Fri, 27 May 2011 16:17:32 GMT</pubDate></item><item><title>EV RE320 Review</title><link>http://blog.thevoiceofbrian.com/2011/04/28/ev-re320-review.aspx?ref=rss</link><dc:creator>Brian Haymond</dc:creator><description>I've been eyeing this microphone for many months now and was looking forward to hearing reviews from other voiceover professionals, but not so much from companies who sell it.&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;Then, a dear colleague,&amp;nbsp;&lt;a href="http://denwaypro.com/WayneNelms.aspx" target="" class=""&gt;&lt;a href="http://www.voiceoversbywayne.biz/" target="" class=""&gt;Wayne Nelms&lt;/a&gt;&lt;/a&gt;&amp;nbsp;sent me a link that fulfilled my hopes of hearing from a voiceover pro about the RE320. &amp;nbsp;Truth is, I subscribe to an RSS feed that would have the article in it, but it was great to get a note from Wayne alerting me first thing this morning. &amp;nbsp;Why? &amp;nbsp;Well, I am in talks with someone to purchase an RE20, but would like to have known more about the 320 before I purchased. &amp;nbsp;Thanks to&amp;nbsp;&lt;a href="http://courvo.com/" target="" class=""&gt;Dave Courvoisier&lt;/a&gt;&amp;nbsp;I can move forward with the RE20....the broadcast standard.&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://networkedblogs.com/hc7KA" target="" class=""&gt;RE320 REVIEW&lt;/a&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;THANK YOU, Dave (and Wayne) for the information!&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;P.S. Here's a link to an additional&amp;nbsp;&lt;a href="http://www.proaudioreview.com/article/35288" target="" class=""&gt;review featured in ProAudio Review&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;img src="http://images.quickblogcast.com/5/3/2/0/6/170492-160235/thumbnail_aspx.jpeg?a=46" style="border: 0px solid;"&gt;&lt;br&gt;&lt;/div&gt;</description><comments>http://blog.thevoiceofbrian.com/2011/04/28/ev-re320-review.aspx#Comments</comments><guid isPermaLink="false">b468c1e6-f1a9-46e1-b68f-a2e25b663964</guid><pubDate>Thu, 28 Apr 2011 12:46:00 GMT</pubDate></item></channel></rss>
